My work investigates the relationship between time, material, and surface — how physical processes leave traces, and how those traces constitute meaning. I work primarily in oil and cold wax medium on linen, and increasingly in ceramic and cast sculpture.

I am interested in the difference between making a mark and making a gesture — between an act that adds to a surface and one that changes its character. My studio practice is built around slowness: paintings take months; ceramic series take seasons. The work earns its own time.